藍仲軒（b. 1991）為出生於台灣台北的藝術家，2016 年取得美國紐約普瑞特藝術學院純藝術創作碩士學位。其創作以影像為核心，關注戰爭、災難、歷史事件與航太科技等極端狀態，透過重製攝影、現成影像、文獻檔案與歷史物件的轉譯，運用挪用、抹除、再編排與形式轉換等方法，使影像游移於紀錄、記憶與虛構之間。其作品並非重述事件本身，而是探討影像如何參與歷史的建構、觀看與遺忘，進一步揭示影像、權力、時間與技術之間的關係，以及個體在龐大系統中的消隱與殘留。
近年展覽包括台灣台中國立臺灣美術館聯展《黑水— 2025 台灣美術雙年展》（2025）；波蘭瓦波日赫Wałbrzyska Galeria Sztuki BWA聯展《To the Freedom, We Dance》（2025）、台灣台北伊日後樂園個展《晴空亂流》（2024）、台灣台北也趣藝廊個展《αβγθ》（2023）、土耳其伊斯坦堡聯展《中介雙年展》（2023）、台灣台中國立臺灣美術館聯展《覆寫真實：臺灣當代攝影中的檔案與認同》（2022）、韓國水原《水原國際藝術節》（2022）、德國萊比錫AKI Gallery Leipzig Prospect個展《餘溫》（2021）等。
曾參加日本3331 Arts Chiyoda與芬蘭Arteles Creative Center駐村計畫，獲獎包括Arte LagunaPrize、集保當代藝術賞、文化部MIT新人推薦特區等，作品獲台灣集中保管結算所、台灣藝術銀行、新光三越文教基金會等機構典藏。
LAN Chung-Hsuan (b. 1991, Taipei, Taiwan) received his MFA in Fine Arts from Pratt Institute, New York, in 2016. His image-based practice examines war, disaster, historical events, and aerospace technology through reworked photography, found imagery, archival materials, and historical objects. Employing strategies of appropriation, erasure, and reconfiguration, he destabilizes the documentary image, positioning it between memory, history, and fiction. Rather than recounting historical events, his work investigates how images construct, mediate, and erase history, revealing the relationships between images, power, time, and technology, as well as the presence and absence of the individual within larger systems.
Recent exhibitions include “Taiwan Art Biennial: Black Water” (2025) at National Taiwan Museum of Fine Arts in Taichung, Taiwan; group exhibition "To the Freedom, We Dances" (2025) at Wałbrzyska Galeria Sztuki BWA, Wałbrzyska Galeria Sztuki BWA, Wałbrzych, Poland; solo exhibition “Clear-air Turbulence” (2024) at YIRI ARTS Back_Y, Taipei, Taiwan; solo exhibition “αβγθ” (2023) at AKI Gallery, Taipei, Taiwan; “Mediations Biennale” (2023) in Istanbul, Turkey; group exhibition “Covered Reality: Archival Orientation and Identity in Taiwanese Contemporary Photography” (2022) at National Taiwan Museum of Fine Arts, Taichung, Taiwan; “Suwon International Art Project” (2022) in Suwon, Korea; and solo exhibition “Residual Heat” (2021) at AKI Gallery Leipzig Prospect, Leipzig, Germany.
Lan has participated in artist residency programs at 3331 Arts Chiyoda in Japan and Arteles Creative Center in Finland. His awards include the “Arte Laguna Prize,” the “TDCC Contemporary Arts Award,” and the Ministry of Culture “Made in Taiwan: Taiwan Young Adults Connection with the World.” His works are held in the collections of the Taiwan Depository & Clearing Corporation, the Taiwan Art Bank, the Shin Kong Mitsukoshi Cultural and Educational Foundation, and others.