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藝術家自述 春遊 Birds and bees My friends and me 赤足尋覓春的序 Float like a butterfly Sting like a bee 指縫的春泥好綿密 山間的溪 淹過雙膝 天地道理 無從說起 完美主義 大可不必 漫無目的 可不可以 我的春天 不在巴黎 詩人魯米...

Longlati經緯藝術中心欣然宣佈將於2025年3月19日呈現曾建穎（b.1987，台灣）個人展覽「旁觀他人之幸福」。本次展覽遴選其近年完成的十六件作品，通過工筆技法與膠彩媒介的結合，以細膩筆觸與隱喻意象展開對肉身慾望與心理訴求的雙重探索，並借視覺敘事勾勒出集體潛意識中的某種精神側寫。 Longlati Foundation is pleased to announce the solo exhibition Regarding the Mediocrity of Others by Tseng Chien-Ying (b.1987, Taiwan), which will open on March 19, 2025. The exhibition features...

詹詠幀Chan Yung-Jen · 陳昭宏 Hilo Chen · 鄺鉅裁Kwong KuiChoi · 李吉祥Lee ChiHsiang · 李秉璈 Li BingAo · 廖震平 Liao Zen-Ping · 黃海恩 Wong HoiIan · 吳逸寒 Wu YihHan 亞紀畫廊很高興宣布將於金車文藝中心南京館策劃舉辦「凝視他方的旋轉小路 －...

As within, so without. As the universe, so the soul. 是古代煉金術的宇宙觀。「如期在內，如期在外」。在內者，指的是人、心魂、小宇宙等。在外者，意指「道」、主、造物主、大宇宙、神性、大秩序等一切不可知謂。 「天地與生死」、「肉身與覺受」一直以來都是我的創作基底。近幾年，瑜珈為我開啟了東方哲思及玄學之門。我著迷於東方對於生命的遠觀。相較於目前主導世界的西方現代主流：微觀聚焦、分析定義、精準效率。東方思維更著重於一即一切的全息視角，人本、修身、合一......它容納乘載了更多生命的輪轉。綿延不盡，如海岸線、如體內迷走的神經氣脈、如星系宇宙塵埃......無始無終，是不死也是無生。 “As within, so without. As the universe, so the soul” is the cosmology of ancient alchemy. 'As in...

《禮物》（Baby’s Baby）是融合了吳美琪個體生命經驗和圖像美學的展覽。作為台灣最有代表性的新生代視覺藝術創作者之一，吳美琪對影像媒介的當代性思考與個性化實踐，不僅展示了她對變動中的外在現實的理解、適應與反思，也更廣泛地回應了時代正經歷的技術、社會、文化、身份及審美的變革。 Baby’s Baby is an exhibition that blends Wu MeiChi's personal life experiences with her unique visual aesthetics. As one of Taiwan's most prominent young visual artists, Wu MeiChi's...

Each Modern and A26 SPACE are happy to present Pandora's Box, Wu MeiChi's first solo exhibition in Beijing. The exhibition will be held simultaneously in A26 SPACE and Vege Wonder, a Michelin star restaurant. Pandora's Box features Wu's most iconic still life photography XYX - A Moveable Feast (2017) and YXX - The Flares (2019), with various development afterward though the concept of "box" as well as the experiment of media including graphical output and textile technology. Wu’s latest series Notes: Write Down Your Worries and Fears will also be premiered at A26 SPACE.

Each Modern亞紀畫廊與南城美術館很高興宣布林亦軒「太陽的鉛筆」、許炯「帶我去遠方」，將同時於6月25日起舉辦。兩位藝術家分別自美術館的駐留項目中獲得對繪畫、文化、生命的新線索，以各自獨特的藝術手法與詩意，累積出新的色彩與線條、拙樸的型態、或既具有機性亦具精神性的圖樣。 Each Modern and Nanjo Art Museum are pleased to announce Lin YiHsuan's "The Sun’s Pencil" and Xu Jiong's "HOME" will be held simultaneously from June 25. The two artists obtained new inspiration from landscapes, culture, and daily life during the residency and accumulated fresh presentation both organically and spiritually.

亞紀畫廊很高興將於2023畫廊週北京「藝訪單元」呈獻旅巴西藝術家林亦軒個展「密度」，帶來其最新抽象繪畫系列。密度是畫面中對象或元素的疏密及分布狀態，它決定畫面的視覺、節奏和動態感，反之平靜與安定等等，藝術家以美學的方向探討繪畫密度，進而深刻探索繪畫中追求的真實、純粹以及自由間的原始性，進而呈現出未受社會影響的本質與本真。 Each Modern is thrilled to present Brazil-based artist Lin YiHsuan's solo exhibition 'Density' in the Visiting Sector at Gallery Weekend Beijing. ‘Density’ refers to the distribution of elements that...

Each Modern 亞紀畫廊很榮幸與東京畫廊Gallery COMMON 共同籌劃交換展，在東京、台北分別展出多位日本、台灣、美國的當代藝術家。2023 年三月，亞紀畫廊將率先進駐東京Gallery COMMON，而Gallery COMMON 的策展內容將接續於四月在台北亞紀畫廊展出。 Each Modern is pleased to collaborate with Gallery COMMON to announce an exchange exhibition and the exhibition will take place in Tokyo and Taipei with two groups of contemporary artists curated by the galleries. In March 2023, Each Modern will hold the first part of the exhibition at Gallery COMMON in Tokyo, and Gallery COMMON will hold the second part at Each Modern in Taipei in April.

本次陳庭詩展覽「由行星到土地」喚起具有永恆與宇宙本質的人性與精神性，其中的雕塑、版畫、與他的藏石，帶來藝術創作中罕見、純粹的對話，它們之間的連結展現藝術家在藝術形式上的融合與超越，回顧歷史與當下文明的同時，傳達人類對未來的渴望。 Chen Ting-Shih’s sculpture, print, and collection of stone awake the infinite and cosmic humanity and spirit. They also arouse a rare, pure conversation of art. The connection within presents how the artist merge and surmount the forms of art. It reviews history and modern civilization, and it conveys how we desire the future.

趙剛的新作主題「繪畫的意義在哪？」反應了他近年來對自身繪畫的反思。藝術家將他最為人所知也最為彰顯的創作內容－歷史、情色、宗教、政治－濃縮在了四幅繪畫之中，過往的具象形象因線條的強調而變得抽象。 Chinese American artist Zhao Gang’s new series throws out the theme “What is the Meaning of Paintings?” History, eroticism, religion, and politics, four most iconic elements of the artist are placed in four paintings. These works reveal a sense of sketching, lines are enlarged and the color fields are deconstructed.

本展呈現許炯2014至2018年書法時期各階段代表作，其中多幅《春之祭》作品為首次展出。許炯關於書法復興的根源是深刻且多樣的，這些早期作品說明許炯挖掘各種來源與繪畫傳統，從良寬、賈島、到董其昌，許炯嘗試一系列突破的變化，他輕柔又狂放的筆觸、意想不到的圖案，喚起東方媒材成為波普藝術與流行文化的可能－正是在這些作品中，我們看到對今日許炯的藝術實踐至關重要的各種元素，且明白他是如何對創造亞洲藝術的自我價值的過程與歷史著迷不已。 This exhibition presents Xu Jiong's significant works from 2014 to 2018, among which many works of Spring Monster are exhibited for the first time. The roots of Xu’s calligraphic revival are deep and varied. These early works show Xu mining various sources and traditions, from Liangkuan, Jia Dao, to Dong Qichang, and experimenting with a range of new format. His gentle and wild touch, unexpected patterns that evoke the possibilities of oriental media as pop art and pop culture. It is in these works that one sees the elements essential to Xu’s practice today. As this exhibition makes clear, Xu is a sophisticated visual thinker endlessly fascinated with the process and history of painting.

台灣「烏龍畫派」的稱謂，是在 4 年前參加「Ink Now 水墨現場」台北展博會時開始被定義，是為首屆「烏龍畫派」群展。此後，cans@ project 雖然陸續策劃了于彭、鄭在東個展，但關於群展，今年同步在台北「罐 空間」暨 ACHI inspired by Each Modern 是為第二屆「烏龍畫派」群展。 The term “Oolong School” was coined at the Ink Now art fair, four years ago in January, 2019. Although cans@ project has curated solo exhibitions for Yu Peng and Cheng TsaiTung since the fair, this exhibition, to be heled in two parts at cans@ project and ACHI inspired by Each Modern will be the second group exhibition of the “Oolong School”.

亞紀畫廊很榮幸宣布於 ACHI inspired by Each Modern 推出「非我：穿梭在超現實與抽象之間的台灣藝術家」群展，由李仲生為首、介紹霍剛、李元佳、顧福生 50 年代至 90 年代呈現超現實主義與抽象主義兩面向的繪畫作品。 Each Modern is pleased to present “Not-Self : Taiwanese Artists from Surrealism to Abstraction” at ACHI inspired by Each...

Each Modern is pleased to announce “Hilo Chen: New York 1970” at ACHI inspired by Each Modern. Following Each Modern’s late 2021 exhibition "Hilo Chen: Eyes" which presented his early portraits, this exhibition will focus on the artist’s photorealistic paintings made in New York before his transition into his preeminent Beach series. Each Modern 亞紀畫廊很榮幸於 ACHI inspired by Each Modern 帶來「陳昭宏：紐約 1970」。繼 2021 年末於亞紀畫廊展出其早期肖像作品的展覽「陳昭宏：眼睛」之後，本展將專注於藝術家在邁入最廣為人知的《海灘》系列之前，在紐約以一種局外、旁觀、探索、遊蕩的生活方式所實踐的照相寫實繪畫。

Each Modern 亞紀畫廊很榮幸與仲方資本共同推出「ACHI inspired by Each Modern」展覽項目，首檔展覽將帶來台灣國寶級藝術家陳庭詩創作於 70、80 年代的珍貴作品。 Each Modern is pleased to launch the 'ACHI Inspired by Each Modern' exhibition with ACHI Capital, the first curatorial project “Chen Ting-Shih” presents rare early period abstract print works from 70s to 80s by this nationally lauded artist.

本展展出趙剛近年的畫作，以自身的主觀視角探討歷史。作品從小幅水彩到巨幅畫布油彩，挑戰了我們對應於歷史的角色，以及繪畫本體。 Through a collection of recent works, Zhao Gang’s history painting practice is used as an examination of his own subjectivity, and of the premise of History itself.

植田正治的一生，映照出一部日本攝影簡史。此展由1930年初期作品開始回顧，不僅流露攝影家對攝影的摯愛與追求，更可以清晰閱讀日本戰前至戰後攝影流派的起伏。 This encompassing retrospective, featuring works that span the early 1930s to the artist’s final days, reveals not only the photographer’s love and pursuance of photography, but also clearly presents...

旅居巴西藝術家林亦軒以「我們」代稱繪畫，以「烏龜」隱喻時間，回顧而又正視他在時間與地域流動中的繪畫作品，呈現此位最受歡迎的台灣藝術家的2014 – 2019的發展過程。 São Paulo-based artist Lin YiHsuan uses 'we' to represent his paintings, and 'turtle' as a metaphor for time to contemplate the 2014 to 2019 period painting practice...

此展覽為香港國際攝影節的特別個展項目。由《為了該有的語言》的特別投影、《氾濫》攝影裝置復刻、《循環：日期、場所、行為》與晚期彩色攝影構成。 This special project for the Hong Kong International Photography Festival is comprised of a unique projection of “For the Language to Come,” a premiere remake of the installation “Overflow,”...

作為不斷實踐挑釁的藝術家，森山大道持續探索媒材、光、記憶、時間的關係，此展從四項元素的交替融合出發，由森山大道攝影基金會與Each Modern亞紀畫廊共同策劃。 The imaginative and provocative artist’s exploration of the relationships between the medium, light, memory, and time is conceived and curated by the Daido Moriyama Photo Foundation and Each...