Each Modern is pleased to announce Ishiuchi Miyako’s first solo exhibition in Taiwan, presenting some of her most important photography series, including 1．9．4．7, Innocence, Mother’s, ひろしま/hiroshima, and Frida by Ishiuchi.

The term “Oolong School” was coined at the Ink Now art fair, four years ago in January, 2019. Although cans@ project has curated solo exhibitions for Yu Peng and Cheng TsaiTung since the fair, this exhibition, to be heled in two parts at cans@ project and ACHI inspired by Each Modern will be the second group exhibition of the “Oolong School”.

This solo booth will present works by one of Taiwan’s most important contemporary artists, Hou ChunMing. The presentation will exhibit his latest floral cloth paintings made in 2021 and 2022, along with his early oil on canvases from 1987.

“Paprika” is a group show of works of surrealist art. The exhibition, named after Satoshi Kon (1963 - 2010)’s last animated film “Paprika”(2006), presents the expansion of Surrealism from the Western world to Asia and Taiwan.

“Dear Car, Who Are You?” by Taiwanese photography artist Juan Sea. The exhibition will exhibit two series of work Dear Car(2018) and who are you?(2019) together to demonstrate how the artist photographs by phone through his unique seeing eyes with humor.

Chen Ting-Shih, Hiraku Suzuki, Antone Könst, Tseng ChienYing, Wu MeiChi, Xu Jiong, Zhao Gang

Each Modern is pleased to announce “Either is Good,” a group exhibition that gathers young overseas Chinese and Taiwanese artists that live in the USA and frequently exhibit there and in Europe. The exhibition will focus on how life and culture are integrated, transformed, and displayed in the new forms of painting and mixed media happening in the Western world by these overseas Chinese and Taiwanese artists, and the characteristics that distinguish them as some of the most talented within the trends of international contemporary art.

Each Modern is proud to announce “Chen Ting-Shih: The Beginning of Zen” which opens January 14, 2022. Continuing from Chen’s previously held exhibition at ACHI inspired by Each Modern in November, 2021,“The Beginning of Zen” will presents rare early period abstract print works from 1964 to 1974 by this nationally lauded artist.

Each Modern is pleased to announce “Hilo Chen: New York 1970” at ACHI inspired by Each Modern. Following Each Modern’s late 2021 exhibition "Hilo Chen: Eyes" which presented his early portraits, this exhibition will focus on the artist’s photorealistic paintings made in New York before his transition into his preeminent Beach series.

Lee ChiHsiang・Miyajima Tatsuo・Moriyama Daido・Sohei Nishino・Shiu ShengHung・Suga Kishio・Hiraku Suzuki

Each Modern is pleased to launch the 'ACHI Inspired by Each Modern' exhibition with ACHI Capital, the first curatorial project “Chen Ting-Shih” presents rare early period abstract print works from 70s to 80s by this nationally lauded artist.

“Hilo Chen: Eyes,” presenting precious works from the early photorealism stage that have never been shown by the New York-based Taiwanese artist Hilo Chen. Most of the exhibiting works will be revealed to the public for the first time after more than 50 years.

Hilo Chen, Egan Frantz, Hell Gette, Jou LiYan, Miyajima Tatsuo, Sohei Nishino, Hiraku Suzuki, Xu Jiong

“New Horizon” by two under-the-spotlight Japanese contemporary artists Sohei Nishino and Hiraku Suzuki. With their creative methods of massive photo collaging and subconscious drawing, the artists present not only their challenges to the material but their exploration between and beyond the horizon of geography and astronomy.

Araki Nobuyoshi, Chang TingTong, Hilo Chen, Chen TingShih, Jou LiYan, Lee YehLin, Ling Yung, Lu YuanZe, Miyajima Tatsuo, Moriyama Daido, Sohei Nishino, Hiraku Suzuki, Wu MeiChi

As the opening show of the gallery’s new space “Kirikae: From Mono-Ha to Simulationism”, is an exhibition that reviews the transformation of ideological trends and forms of post-war Japanese art from the 1960s to 2000s.

Each Modern is pleased to announce Brazil-based artist Lin YiHsuan’s latest solo exhibition, “a man called log”. This two-part exhibition presents, for the very first time in Taiwan, a series of recent paintings made in 2020 and 2021.

PROVOKE was a magazine which examined Japan’s socio-political situation with a radically inventive style. The exhibition is composed by three sections - PROVOKE and Activism, PROVOKE and Mono-Ha, PROVOKE and Capitalist Realism – to clarify and to compare the innovations formed in the criticism.

Each Modern presents the memorial exhibition “The Phenomenon of Heaven and Earth” to commemorate Chi Ten-Shung, the deceased novelist as a representer of postwar Taiwanese literature, who impacted profoundly not only the development of Taiwanese literature but also the generation and the ontology in his era.

Each Modern is pleased to announce “Cyberpunk,” a group exhibition presenting new works by three artists who showed in Taiwan for the first time last year and brought a great sensation to the 2020 edition of Art Taipei.

The show presents works selected by the gallery staff to review and reinterpret our past exhibitions and artists in the beginning of the whole new year.

Egan Frantz, Hell Gette, Huang HaiHsin, Antone Könst, Stefan Müller, Araki Nobuyoshi

Through a generation of post-war avant-garde and contemporary artists working in Taiwan, we listen to the geo-political pitter patters of the collective heart.

This new collection of silkscreen on canvas prints echo the expressionistic film genres of the1950s. The seemingly dangerous urban shadow-spaces, and the alluring red lipsticked femme fatale; these images, combined with the aesthetics of Pop Art have defined Moriyama Daido as a 21st century classic.

Art lives. Ideas endure. Each Modern is pleased to announce an all-new thematic series “New Relics.” Through the contemporary artist and the antique object, “Crossing Over” presents ideas made tangible and transmitted across cultures and time.

Xu Qu’s practice illuminates certain unseen power relations, in a potential sense as well as a kinetic and physical sense. For his first solo exhibition in Taiwan, the artist shares “LSD” series inspired by the culture of the psychedelic substance, and “Conversion” which reexamines global value systems.

Through a collection of recent works, Zhao Gang’s history painting practice is used as an examination of his own subjectivity, and of the premise of History itself.

New York-based Antone Könst uses painting, sculpture, and glyphic tablets to depict experiences in light, and the latent potential within everyday moments. With deep roots in modern art history, this series also possess a reverence for Eastern philosophy.

New York-based Taiwanese artist Hilo Chen’s “The Bather of Valpinçon” features the artist’s well-known photorealistic paintings from the late 70s as well as early works that have not been shown since his immigration to the U.S. in 1968.

This encompassing retrospective, featuring works that span the early 1930s to the artist’s final days, reveals not only the photographer’s love and pursuance of photography, but also clearly presents the vicissitudes of Japanese Photography history.

Chang TingTong, Hilo Chen, Antone Könst, Lan ChungHsuan, Lin YiHsuan, Suga Kishio, Tseng ChienYing, Ueda Shoji, Wu MeiChi, Xu Jiong, Yin ZhaoYang, Zhao Gang

Wu MeiChi creates vibrant color photos that intersect still life, studio photography, abstraction, and scientific experimentation. In “YXX – The Flares”, the glossy surfaced images act as frictionless planes where objects move with increasing speed through hyperbolic space and light.

Hilo Chen, Suda Issei, Suga Kishio, Tseng ChienYing, Wu MeiChi, Xu Jiong, Yin ZhaoYang

Suga Kishio continues to focus his practice on the intrinsic nature of “mono” through impermanent interventions. The grace and simplicity of these arrangements belie a deep philosophical and spiritual nature. From these situations, Suga recalibrates the way we see the world through things.

Comprised of a remake of the photographic installation “Overflow,” and 1980’s-period black and white photographs, this exhibition bridges points along the seminal figure of photography’s career, marking transitional periods in his practice post-Provoke.

São Paulo-based artist Lin YiHsuan uses "we" to represent his paintings, and "turtle" as a metaphor for time to contemplate the 2014 to 2019 period painting practice of one of Taiwan’s most popular artists.

A departure from his usual abstract black and white paper and ink works, here Xu Jiong experimentally transposes his unique method into colored paints on acrylic sheets, creating a series of self-portraits without portraits - fusing together old and new works.

“Diluted Retrospective” reverses the retrospective into a conceptual presentation that traces the history of China as a country and Zhao Gang as an artist, through lost narratives, discovered land, imagined territory.

Moriyama Daido, Lin YiHsuan, Hiraku Suzuki, Teng NanKuang, Wu MeiChi, Xu Jiong, Yin ZhaoYang, Eric Zetterquist, Zhao Gang

Juan Sea, Lan ChungHsuan, Ling Yung, Wu MeiChi

A selection of Li YuanChia’s watercolors, hand-colored photographs, folding books, and wooden relief exhibited with six younger artists whose works reflect an esteem and appreciation for the seminal figure of Chinese abstraction. These homages not only cross borders and physical boundaries but generations and time as well.

After expanding his practice to encompass various new materials, like canvas, oil on paper, and colored stones, since 2017 Lin YiHsuan’s new works have explored the essence of painting: line, surface, and “aristicity,” - expressing his belief in painting in a reactionist way.

This special project for the Hong Kong International Photography Festival is comprised of a unique projection of “For the Language to Come,” a premiere remake of the installation “Overflow,” a selection of “Circulation: Date, Place, Events,” and later untitled color works.

Moriyama Daido, Ying ZhaoYang, Ueda Shoji

Hiraku Suzuki rediscovers lines from archaeology and astronomy, as well as his interest in the fluidity between the visual and the textual. He integrates this into his unique method of drawing, which conclusively points towards modernism and futurism.

Teng NanKuang, We MeiChi

Raoul De Keyser, Barbara Kasten, Lan ChungHsuan, Nakahira Takuma, Hoki Nobuya, Kathrin Sonntag, Ueda Shoji, Xu Jiong, Yin ZhaoYang, Yuan GoangMing

The imaginative and provocative artist’s exploration of the relationships between the medium, light, memory, and time is conceived and curated by the Daido Moriyama Photo Foundation and Each Modern.

Each Modern is pleased to present the exhibition of legendary Taiwanese photographer Teng NanKuang. Featuring the artist’s estate’s final series of Teng’s vintage prints (1958 - 1970) shown to the public for the first time, with the full support of the artist’s family.

Each Modern is pleased to announce an exhibition of new lightbox works by Moriyama Daido as its inaugural exhibition. The intense rendering of the images by lightbox highlights how Moriyama re-uses and re-thinks his own work, and also recalls the rapid change of social and media landscapes in Japan from the 70s to the present.