Xu Qu’s practice illuminates certain unseen power relations, in a potential sense as well as a kinetic and physical sense. For his first solo exhibition in Taiwan, the artist shares “LSD” series inspired by the culture of the psychedelic substance, and “Conversion” which reexamines global value systems.

New York-based Antone Könst uses painting, sculpture, and glyphic tablets to depict experiences in light, and the latent potential within everyday moments. With deep roots in modern art history, this series also possess a reverence for Eastern philosophy.

New York-based Taiwanese artist Hilo Chen’s “The Bather of Valpinçon” features the artist’s well-known photorealistic paintings from the late 70s as well as early works that have not been shown since his immigration to the U.S. in 1968.

This encompassing retrospective, featuring works that span the early 1930s to the artist’s final days, reveals not only the photographer’s love and pursuance of photography, but also clearly presents the vicissitudes of Japanese Photography history.

Chang TingTong, Hilo Chen, Antone Könst, Lan ChungHsuan, Lin YiHsuan, Suga Kishio, Tseng ChienYing, Ueda Shoji, Wu MeiChi, Xu Jiong, Yin ZhaoYang, Zhao Gang

Wu MeiChi creates vibrant color photos that intersect still life, studio photography, abstraction, and scientific experimentation. In “YXX – The Flares”, the glossy surfaced images act as frictionless planes where objects move with increasing speed through hyperbolic space and light.

Hilo Chen, Suda Issei, Suga Kishio, Tseng ChienYing, Wu MeiChi, Xu Jiong, Yin ZhaoYang

Suga Kishio continues to focus his practice on the intrinsic nature of “mono” through impermanent interventions. The grace and simplicity of these arrangements belie a deep philosophical and spiritual nature. From these situations, Suga recalibrates the way we see the world through things.