亞紀畫廊相信是藝術領導價值、並將驅動未來。

 Each Modern 亞紀畫廊 2018 年成立於台北，2023 年遷至台北商業區現址。創辦人黃亞紀從事評論與策展十餘年，對國際藝術生態有著深刻洞見。亞紀畫廊重點經營亞洲戰後與當代藝術，意圖提升亞洲藝術家的價值、挖掘亞洲藝術家的全球影響力。透過豐富而有深度的展覽項目與市場推動，亞紀畫廊積極締造藝術家的市場高度，以及畫廊與藝術家的國際地位。

 

重新定義亞洲藝術家的藝術史地位與價值，是亞紀畫廊近年最大的成就之一。 畫廊亦成功引導年輕一代更專注於亞洲戰後藝術，加深他們對當代藝術的理解與熱愛。主要畫廊項目涵蓋了著名超寫實主義藝術家陳昭宏、第一名華人前衛藝術家李元佳、戰後台灣重要藝術家陳庭詩、日本傳奇“挑釁”攝影師中平卓馬、森山大道、日本女攝影師石內都、物派領銜人物菅木志雄，以及台灣攝影家郎靜山、鄧南光。

 

在其他世代藝術家的挖掘與培養，亞紀畫廊著重藝術上的獨特突破，進而推動市場上的未來潛力。 自 2022 年起，亞紀畫廊邀請更多位國際藝術家加入畫廊項目，提高他們在亞洲的形象。亞紀畫廊且參與眾多頂級國際博覽會，包括西岸藝術與設計博覽會、香港巴塞爾藝術展、北京畫廊週、巴黎攝影博覽會、東京現代博覽會、京都Art Collaboration博覽會。

 

 

 

  • We believes the arts lead the value and drive the future.

    Each Modern is one of the most influentail and provocative galleries in Asia.

    The founder, Huang Yaji has been working as a critic and curator for a decade and developed profound insight of Asian art ecosystem. She etablished Each Modern in 2018, and committed to promoting Asian postwar and contemporary art by redefining Asian artists with enhanced value while bridging new international artists. In November 2023, the gallery moved to the current space in Taipei business distrcit. 

     

    Rediscovering and exhibiting the value of artists in art history is one of the gallery’s greatest achievements in first three years.Meanwhile, the gallery succeeded in directing more attention of young generations to Asian postwar arts, guiding them to embrace contemporary art. Key gallery programs cover prominent artists including the unreviel ouever of hyperrealism artist Hilo Chen, the first avant-garde artist Li YuanChia, important post-war Taiwan artist Chen TingShih, the iconic “Provoke” photographers Nakahira Takuma and Moriyama Daido, Japan female photographer Ishiuchi Miyako, key member of Mono-ha Suga Kishio, and Taiwanese post-war photographer Teng NanKuang. 

     

    Each Modern also represents other generation artists from various regions. Since 2022, the gallery invites multiple international artists into the program to raise their Asia profile. 

     

    Each Modern believes the arts lead the value and drive the future. 

    We believes the arts lead the value and drive the future. , Each Modern is one of the most influentail...

  • The Practice of Long-Termism

    長期主義的實踐 Bloomberg Businessweek
    Young artists can use the gallery to confront the journeys of their predecessors and reflect on their own histories.

    Huang Yaji photo by Sean WangBloomberg Businesswe Chinese Edition 

    publisged date : 2024. 3. 27 | No. 295

    在這篇訪談中，黃亞紀闡述了畫廊選擇戰後藝術家作為主要經營方向之一的原因：「這是一個在拍賣市場上始終受到關注的熱門領域，但在美術館和商業畫廊中卻未得到充分介紹。」她指出，「二戰後，台灣的藝術表達非常前衛，並受到國際關注。然而，由於種種原因，當前台灣的戰後藝術家並未被廣泛認識。」黃亞紀重申，台灣在華人區域中仍是唯一能夠發展前衛思想藝術的地方，無論是回顧歷史還是展望未來。因此，畫廊的另一個方向是培養1980年代以後的藝術家，並促進年輕人與歷史的持續對話。「年輕藝術家能夠透過畫廊重新面對前輩的歷程，反思自己的歷史，這是畫廊這幾年來的重要成就之一。」

     
    In this interview, Huang Yaji explains the gallery's choice to focus on post-war artists as one of its main directions: "This is a popular area that has always been present in the auction market, but it has not been adequately represented in museums and commercial galleries." She points out, "After World War II, Taiwan's artistic expression was very avant-garde and received international attention. However, for various reasons, contemporary Taiwanese post-war artists are not widely recognized." Huang Yaji reiterates that Taiwan remains the only region within the Chinese-speaking world capable of developing avant-garde artistic thought, whether reflecting on history or looking to the future. Therefore, another direction for the gallery is to nurture artists from the post-1980s era and to facilitate ongoing dialogue between young people and history. "Young artists can use the gallery to confront the journeys of their predecessors and reflect on their own histories. This has been one of the gallery's significant achievements in recent years."



  • Can the market shake the confidence of a gallerist?

    市場能動搖畫廊主的信心嗎？ BAZAAR Art
    The significance of the gallery lies in exploring the meaning and value of art, rather than merely focusing on transient auction results or market prices.

    Huang Yaji photo by Sean WangBAZAAR Art Chinese Edition 

    publisged date : 2023. 6. 13 

     

    在這篇訪談中，黃亞紀表達了將畫廊定位在非本地畫廊的觀點，因自戰後起，亞洲藝術就和歐洲有許多交彙點，現在更應該鼓勵超越現有藝術的作品，引領、創新品位。畫廊的意義終究是探索藝術的意義和價值在何處，而不僅是一時的拍賣或市場的價格。

    In this interview, Huang Yaji articulates her vision of positioning the gallery as a platform beyond local confines. Since the post-war period, Asian art has intersected with European art in numerous ways, and there is now a pressing need to encourage works that transcend existing artistic boundaries, leading to the creation of new aesthetic standards. Ultimately, the significance of the gallery lies in exploring the meaning and value of art, rather than merely focusing on transient auction results or market prices.