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武雨濛 Cici Wu, 接受遺忘,也接受不忘 (攝影機與導演之間的關係) Accepts Forgetting, As Well As Remembering (The Relationship of Camera to Director), 2022

武雨濛 Cici Wu

接受遺忘,也接受不忘 (攝影機與導演之間的關係) Accepts Forgetting, As Well As Remembering (The Relationship of Camera to Director), 2022
宣紙、礦物顏料、膠、墨 mineral pigment, glue, and ink on rice paper
58 x 46.8 cm
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對武雨濛（1989生於北京）而言，相機觀看的行為賦與了現實不同的可能性。她的影片、繪畫與燈籠等系列作品，除了可以視作藝術家對理想未來的分鏡圖，也是那些離家千里在他處開展新生活遊子們的燈塔。

對武雨濛（1989生於北京）而言，相機觀看的行為賦與了現實不同的可能性。她的影片、繪畫與燈籠等系列作品，除了可以視作藝術家對理想未來的分鏡圖，也是那些離家千里在他處開展新生活遊子們的燈塔。

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