鈴木展長期對天文學、考古學與礦物學抱持濃厚的興趣，並從中思索人類文明與大自然運行的原初起點。以石器時代的洞穴壁畫為起點，鈴木展致力於研究繪畫與語言之間的關係，作品包含平面創作、雕塑、裝置、壁畫、錄像、以及表演等。鈴木展在日本與國際各大美術館皆曾展出，包括2023年日本群馬縣立近代美術館、2009年日本金澤21世紀美術館、2010年日本森美術館、2015年波蘭樂斯拉夫建築美術館、2016年中國銀川當代美術館、2019年法國MOCO Panacée、以及2019年至2020年日本東京都現代美術館。並自2016年起主理繪畫研究與實踐平台「Drawing Tube」。鈴木展時常與其他藝術家或是音樂家、詩人等進行跨領域合作，創作出了許多大規模的公共計畫。曾出版包括2010年《GENGA》及2020年《SILVER MARKER―Drawing as Excavating》等書。鈴木展目前任教於東京藝術大學純藝術研究所。
Hiraku Suzuki currently lives and works in Tokyo, Japan, and obtained an M.F.A. at Tokyo National University of Fine Arts in 2008. Hiraku Suzuki considers “drawing” as an intermediary space between imagery and language. His exploration spans various art forms, including two-dimensional works, sculpture, installations, murals, video, and performance. Hiraku Suzuki has shown in exhibitions at a long list of prestigious museums throughout Japan and internationally including The Museum of Modern Art in Gunma (2023), Museum of Contemporary Art Tokyo (2019-2020); Yinchuan Museum of Contemporary Art, China (2016); Wroclaw Architectural Museum, Poland (2015); Kunstraum Düsseldorf, Germany (2015); Maison de la culture du Japon a Paris, France (2015); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012); Location One, New York, USA (2011) and Mori Art Museum, Tokyo (2010), and has led the platform for alternative drawing research and practice “Drawing Tube” since 2016. Suzuki frequently collaborates with artists from other fields such as musicians and poets, and has carried out many large-scale public projects. Published books of his works include GENGA (2010) and SILVER MARKER―Drawing as Excavating (2020). Since 2021 he is an associate professor at Tokyo University of the Arts, Graduate School of Fine Arts, Global Art Practice.